The Sense of Sympathy Provoked by Frankenstein by Mary Shelley and The Scarlet Letter by Nathaniel HawthorneThe Sense of Sympathy Provoked by Frankenstein by Mary Shelley and The Scarlet Letter by Nathaniel Hawthorne

The Sense of Sympathy Provoked by Frankenstein by Mary Shelley and The Scarlet Letter by Nathaniel Hawthorne

In both Frankenstein and The Scarlet Letter it really is obvious to see how sympathy would be designed for the outsiders in each novel, the creature through its lively rejection from everyone it faces in society because of this of its appearance. For Hester she faces rejection from society therefore of her adultery, although on the surface it is obvious to see how exactly we feel sympathy for many who are isolated, there are elements we should consider to debate whether we see these characters totally sympathetically. While both novels address the treating outsiders by culture and provoke whether we should sympathise for them, Frankenstein especially does this through the gothic genre. Sue Chaplin says the gothic genre “responds in certain various yet recognisable methods to conflicts and anxieties of its historical point in time and that's characterised by its potential to represent individual and cultural traumas”, which is what we observe in this novel a representation of a contemporary society and their concern for outsiders.

Mary Shelley uses a fascinating narrative structure that provides the reader a first-palm insight into how convenient prejudice from appearance/ one personРІР‚в„ўs perspective will come about, something Shelley leads us as viewers to despise others for. Through the epistolary variety she uses, we gain insights into person characterРІР‚в„ўs experiences, because of this it isn't until

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